Cool looks
for your edit.

Light through a prism, mid-cut. The frame splits into color and lands on the next shot.

12 transitions · 10–28 frames

Shutter clicks, flash pops and strobes that hit on the beat.

12 transitions + Beat Strobe · 8–24 frames

Warm light melts one shot into the next. No hard edges.

6 transitions · 28–32 frames

The camera makes the cut: flash blooms, motor drives, a Polaroid developing.

9 transitions · 22–34 frames

Trails, echoes and afterimages, made from your own footage.

12 transitions · 20–30 frames

Light swishes through the cut: glows, blur flashes and defocus hits.

12 transitions · 6–10 frames

Negatives that stretch, smear and pulse into the next shot.

12 transitions · 3–14 frames

The cut hits like a kick drum: snaps, shakes and tritone hits.

12 transitions · 6–14 frames

The film loses its grip and rolls through the gate into the next shot.

12 transitions · 17–24 frames

Your cut, run through a broken photocopier.

12 transitions · 3–14 frames + a beat flicker

The codec breaks on your cut: A's last frame smears along B's movement, then repairs.

12 transitions · 20–54 frames

Liquid glass that flows over your shot and bends the picture underneath.

10 looks · 4K + HD

Motion trails as a dial: smoke, strobe copies, light painting, step print.

10 looks · 4K + HD

The textures behind this year's music videos: ink, tape, camcorder, heat vision.

12 looks · any frame rate

Every lens you don't own, from skate fisheye to a subject that pops out.

10 lenses + 2 pop-out recipes

Your shot as a cloud of light-dots that keeps its color, scanned, torn and pulsing on the beat.

12 looks · any frame rate

A night camcorder's brain: lagging auto-gain, iris snaps, flicker and tape damage.

12 looks · any frame rate

A crystal held to the lens: your subject stays sharp while a soft double floats beside it.

12 looks · any frame rate

Your shot printed on a till receipt: thermal dither, torn ends, a print head that jams.

12 looks · any frame rate

Phosphor lines that thicken with the picture, the way old CRT screens drew faces.

12 looks · any frame rate

Every frame crushed to one bit: Bayer, noise, hatching, halftone, in any two inks.

12 looks · any frame rate

Your footage on a magenta LED screen, with light dripping from every highlight.

12 looks · any frame rate

Only the light moves: highlights smear off your shot while the dark parts stay put.

12 looks · any frame rate

Your shot as a pin-art relief: a grid of beads pushed toward camera by its own brightness.

12 looks · any frame rate

Rage-video chaos you can leave on a whole verse: red mono, frame-rate lurches, blown flash and siren flips that hit on your beats.

12 looks · any frame rate

Real film burns. Put one over your footage, set it to Screen. Works in any editor.

10 overlays · 60 s each · 4K ProRes

Boxes lock onto the brightest things in your shot, label them and wire them together.

12 overlays · any frame rate

Dust, scratches, grain, paper and VHS noise as seamless 4K loops. Drop one over your footage and set the blend mode. Works in any editor, CapCut included.

12 overlays · 10 s loops · 4K · 16:9 + 9:16